Peter Damm Guitarmaker
Repairs, Maintanance and Newly Created Musical Instruments
In this section you will find my work as a co-worker for the Robberts Guitars:
Levin Jazzguitar full restoration
Classical guitar repairing damaged top
Robberts Solid Acoustic
Creating copy of Jackson model
Note: Only the interesting repairstories will be showed on this site
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Levin Jazzguitar
History 1998
These pictures were taken in the Robberts workshop where I was working at that time
Neck had a bad center crack and I had to remove the fretboard
to glue it back together again.
This neck had a T-bar truss-rod, so no adjustable truss-rod.
Neck had a bad center crack and I had to remove the fretboard
to glue it back together again.
This neck had a T-bar truss-rod, so no adjustable truss-rod.
And scrape all the finish away.
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Classical guitar repairing damaged top
History 1999
These pictures were taken in the Robberts workshop where I was working at that time
And scrape all the finish away.
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Classical guitar repairing damaged top
History 1999
These pictures were taken in the Robberts workshop where I was working at that time
This classical guitar had a big hole in the top.
I had to make it even bigger to fit in a nice piece.
This classical guitar had a big hole in the top.
I had to make it even bigger to fit in a nice piece.
With the newly fitted piece
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Robberts Solid Acoustic
These pictures were taken in the Robberts workshop where I was working at that time
With the newly fitted piece
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Robberts Solid Acoustic
These pictures were taken in the Robberts workshop where I was working at that time
Here in more detail:
Here in more detail:
planing the wood for the body
muliple layers of wood will form the body
the sound chambers
bandsawing the outer shape of the body
planing the front of the body in an arch
You need a lot of clamps to glue a piece of highy figured wood to an arched top
You need a lot of clamps to glue a piece of highy figured wood to an arched top
Shaping the neckjoint
Shaping the neckjoint
Fitting the Mahogany neck to the Redwood body
Fitting the Mahogany neck to the Redwood body
Routing the shape of the headstock
Routing the shape of the headstock
headstock routed
headstock routed
Marking a center line onto the neck, for placement of truss-rod
Marking a center line onto the neck, for placement of truss-rod
Routing the truss-rod cavity
Routing the truss-rod cavity
All done
All done
Cutting the fret-slots in the hard, but willing Ebony
Cutting the fret-slots in the hard, but willing Ebony
Gluing the fretboard
Gluing the fretboard
Truing up the sides of the neck
Truing up the sides of the neck
Gluing the headstock-veneer
Gluing the headstock-veneer
chiseling and shaping the heel
Shaping the heel
Shaping the heel
Planing the back of the headstock to size
Planing the back of the headstock to size
Planing the back of the headstock to size
Planing the back of the headstock to size
Roughly shaping the back of the neck
Roughly shaping the back of the neck
Spraying a coat of finish
Spraying a coat of finish
The beautiful highly figured redwood back of the guitar
The beautiful highly figured redwood back of the guitar
Installing the pickups
Installing the pickups
Trying it out and make fine setup adjustments.
At The North Sea Jazz Festival in The Hague with the
Robberts Brand Guitars I helped making
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Creating copy of Jackson model
History 2000 - 2001
These pictures were taken at the Robberts workshop where I was working at that time
At The North Sea Jazz Festival in The Hague with the
Robberts Brand Guitars I helped making
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Creating copy of Jackson model
History 2000 - 2001
These pictures were taken at the Robberts workshop where I was working at that time
Mahogany neck-blank and Ebony fretboard blank
Mahogany neck-blank and Ebony fretboard blank
Cutting the fret-slots in a special fixture.
Cutting the fret-slots in a special fixture.
Truing up the sides of the neck with fretboard glued in place, and the Lime or Basswood body laying in background.
Truing up the sides of the neck with fretboard glued in place, and the Lime or Basswood body laying in background.
Ebony fretboard glued to the neck and headstock shaped.
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Ebony fretboard glued to the neck and headstock shaped.
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- History 1998-2001
- The beginning 1983-1985
- Contact
- Links
- Videos
- Home
- Bio
- Cursus gitaarbouw
- Foto's Cursisten
- Gitaren te koop/for sale
- Onderdelen / Accessoires
- The famous page
- AGENDA & Nieuw Atelier
- Brievenbus 1872
- Instruments & Carving
- Museumpiece restoration
- 2013-2015 repairs
- 2010-2012 repairs
- 2009 repairs
- Violin restoration
- Double Bass repair
- History 2005-2008
- 6-string bassguitar
- History 1998-2001
- The beginning 1983-1985
- Contact
- Links
- Videos